Selasa, 10 Januari 2012

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When three women living on the edge of the American frontier are driven mad by harsh pioneer life, the task of saving them falls to the pious, independent-minded Mary Bee Cuddy (Hilary Swank). Transporting the women by covered wagon to Iowa, she soon realizes just how daunting the journey will be, and employs a low-life drifter, George Briggs (Tommy Lee Jones), to join her. The unlikely pair and the three women (Grace Gummer, Miranda Otto, Sonja Richter) head east, where a waiting minister and his wife (Meryl Streep) have offered to take the women in. But the group first must traverse the harsh Nebraska Territories marked by stark beauty, psychological peril and constant threat. (C) Roadside Entertainment.

About The Homesman

Artist : Tommy Lee Jones, Hilary Swank, Meryl Streep, Hailee Steinfeld, Grace Gummer
As : George Briggs, Mary Bee Cuddy,
Title : The Homesman Film Entier Streaming Complet
Release date : 2014-11-14
Movie Code : 2398231
Duration : 122
Category : Drama

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Name : Peter Howell / Alias : Toronto Star
The Homesman is a western hard and true, one that probably comes closer to depicting the hardships of frontier life than any number of more conventional oaters.

Name : Ben Sachs / Alias : Chicago Reader
As the protagonists near their final destination, The Homesman offers a critique of civilization that's almost as pessimistic as its critique of frontier life, suggesting that in every corner of America there have always been more losers than winners.

Ignatiy Vishnevetsky Comment The Homesman

Name : Ignatiy Vishnevetsky / Alias : AV Club
Integrity and personality can go a long way, especially in a movie as unquestionably flawed as The Homesman.

Name : Tom Long / Alias : Detroit News
If only things had started out on more solid ground and headed toward some sort of resolution. If only.

Name : Pete Vonder Haar / Alias : Village Voice
Glendon Swarthout's 1988 novel offered a rare approach to . Old West stories by shifting the focus to the women and children who often bore its brunt the worst, and Jones has - for the most part - successfully captured this .

Name : Inkoo Kang / Alias : TheWrap
"Tommy Lee Jones' riveting Western is bleak and very nearly misanthropic, but it's also passionate, earthy, unpredictable, sensitive, and gloriously distinct."

Name : Peter Debruge / Alias : Variety
Unlike other actor-directors, Jones never seems to indulge excess on the part of his cast. Though the characters are strong, the performances are understated.

Name : Geoff Pevere / Alias : Globe and Mail
It's as stubbornly and cantankerously eccentric as both its wagon drivers, not to mention driven to blaze its own trail through the narrative and mythological landscape of America's defining story form.

Name : Betsy Sharkey / Alias : Los Angeles Times
"The Homesman" may sound like a title conferred on a man, and George Briggs may be driving the wagon. But it is Mary Bee's persistence and prayers that carry the women, and the film, flawed as it sometimes is, home.

Name : Joe Morgenstern / Alias : Wall Street Journal
Everyone has a favorite Tommy Lee Jones performance. Until now I didn't have my least favorite, but "The Homesman" provides it, and is ruined by it.

Name : Ella Taylor / Alias : NPR
The Homesman joins a stark, stripped-down beauty to a languid pace and a spare soundtrack to create an ambience that reeks of loneliness and alienation.

Name : A.O. Scott / Alias : New York Times
"The Homesman" is both a captivating western and a meticulous, devastating feminist critique of the genre.

Name : Anthony Lane / Alias : New Yorker
Certainly, there is a sturdiness to it, and a stubborn want of haste, that might have earned an approving growl from John Ford.

Name : Andrew O'Hehir / Alias : Salon.com
A wrenching, relentless and anti-heroic western that stands among the year's most powerful American films. Not everyone will like "The Homesman," but if you see it you won't soon forget it.

Name : Claudia Puig / Alias : USA Today
The Homesman aims for a story that's poignant and told sparely, but comes across as mawkish, tedious and self-indulgent.

Name : Peter Travers / Alias : Rolling Stone
This fem-centric Western from actor-director/co-writer Tommy Lee Jones walks the tightrope between comic and tragic. Jones and Hilary Swank ignite combustibly.

Name : Lou Lumenick / Alias : New York Post
Title and director notwithstanding, Tommy Lee Jones' "The Homesman'' is very much a feminist Western - one painting a vivid picture of how difficult it was for even a strong and determined woman to survive in frontier days.

Name : John Anderson / Alias : Newsday
Wanders along the lonesome trail, then heads off into the underbrush.

Name : Jake Coyle / Alias : Associated Press
The melancholic balance isn't always quite right and the momentum wanes when it should be gaining.

Name : Bill Goodykoontz / Alias : Arizona Republic
A film that looks at first glance like a conventional Western but goes to unusual places.

Name : Steven Rea / Alias : Philadelphia Inquirer
At a certain point, The Homesman will take you by surprise. By the end . it will take your heart.

Name : Rene Rodriguez / Alias : Miami Herald
Parts of The Homesman are a slog to sit through, but the movie ends on a note of absurd comedy that also breaks your heart, suggesting that some people, no matter the circumstances, are incapable of change.

Name : Todd McCarthy / Alias : Hollywood Reporter
An absorbing, melancholy look at the hard lot of women in the Old West.

Name : Calvin Wilson / Alias : St. Louis Post-Dispatch
Swank, an Oscar winner for "Boys Don't Cry" and "Million Dollar Baby," is outstanding, getting to the essence of Mary Bee's pride and pain. And in the showier role, Jones impressively peels away layers of rambunctiousness to reveal George's humanity.

Name : Mick LaSalle / Alias : San Francisco Chronicle
Few will regret having seen "The Homesman," and yet it's not exactly an enjoyable experience.

Name : Keith Uhlich / Alias : Time Out New York
It doesn't help that Swank never finds a way into this highly unappealing character, or that Jones (mostly phoning in the pitiable surliness) avoids delving very deeply into the story's proto-feminist undercurrents.

Name : Rex Reed / Alias : New York Observer
A grand, shocking saga of a movie, The Homesman is the kind they don't make much anymore.

Name : Ty Burr / Alias : Boston Globe
For a movie headlined by two Oscar-winning Hollywood stars - and directed and co-written by one of them - "The Homesman" is awfully close to outsider art.

Name : Moira MacDonald / Alias : Seattle Times
Swank and Streep are big stars with famous faces, and yet disappear into their roles; these characters convey both quiet strength and gentle kindness.

Name : Chris Nashawaty / Alias : Entertainment Weekly
While the film is bathed in a beautiful magic-hour glow courtesy of cinematographer Rodrigo Prieto, Jones' journey doesn't quite take off.

Name : Michael Phillips / Alias : Chicago Tribune
Right or wrong, "The Homesman" belongs to Jones and Swank, and for Western aficionados it's worth seeing.

Name : Elizabeth Weitzman / Alias : New York Daily News
There's a thrilling undercurrent of rebellion in the way this straightforward, seemingly old-fashioned Western takes up the feminist cause.

Name : Stephen Whitty / Alias : Newark Star-Ledger
A strange, and beautiful movie, full of odd touches - a knife fight in the middle of a desolate wasteland, a gravestone made from a bed's headboard, a piece of embroidery that stands in for a much-missed keyboard - that haunt after the film's done.

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
I was impressed with how Jones's uncomfortable mixing of tones in the first half of the film gave way to something more elegiac and evocative by the end.

Name : Jon Frosch / Alias : The Atlantic
Jones continues to craft evocative, painterly images, and he takes real risks with tone, shifting from tragic to comic without the usual cues or transitions.

Name : Wesley Morris / Alias : Grantland
The development probably works in Glendon Swarthout's novel of the same name, where Swank is nowhere in sight. But not in the theater. You're tempted to give up on the movie because it feels as if the movie has given up on her.

Name : Jordan Hoffman / Alias : Film.com
If this is a revision to the revisionist westerns ushered in by "Unforgiven," I'll stay back East(wood.)

Name : Stephanie Merry / Alias : Washington Post
Some recent interviews with Jones paint him as a bit of a curmudgeon. But he's right to push back against being put into a box. "The Homesman" succeeds mainly because it and he don't neatly fit into one.

Name : Colin Covert / Alias : Minneapolis Star Tribune
The film has more surprising turns than a honeycomb has bees. Absurdity and calamity collide without warning.

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Minggu, 01 Januari 2012

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Two brothers (Owen Wilson and Ed Helms) hit the road to find their long-lost dad after they learn that their mom has been lying to them about his death. This comedy was directed by Lawrence Sher.

About Bastards

Artist : Ed Helms, Owen Wilson, Ving Rhames, J K Simmons, Terry Bradshaw
As : , , Rod Hamilton, ,
Title : Bastards Cine Gratis Online
Release date : 2017-01-27
Movie Code : 0460012
Duration : 120
Category : Comedy

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Name : Roger Ebert / Alias : Chicago Sun-Times
Quentin Tarantino's Inglourious Basterds is a big, bold, audacious war movie that will annoy some, startle others and demonstrate once again that he's the real thing, a director of quixotic delights.

Name : Stephanie Zacharek / Alias : Salon.com
Quentin Tarantino seems to be hanging on to a lost world of moviemaking. He may be nuts. But he's a nut who cares.

Name : Todd McCarthy / Alias : Variety
By turns surprising, nutty, windy, audacious and a bit caught up in its own cleverness, the picture is a completely distinctive piece of American pop art with a strong Euro flavor that's new for the director.

Name : Kenneth Turan / Alias : Los Angeles Times
Clocking in at 2 hours and 32 minutes, it is unforgivably leisurely, almost glacial, a film that loses its way in the thickets of alternative history and manages to be violent without the start-to-finish energy that violence on screen usually guarantees.

Name : J. R. Jones / Alias : Chicago Reader
Inglourious Basterds is a social marker as startling as Easy Rider was in its day.

Name : Peter Rainer / Alias : Christian Science Monitor
Landa is such a wily and despicable concoction that, in movie terms, he's almost impossible not to like. And therein lies part of my problem with this movie.

Name : Tom Long / Alias : Detroit News
Basterds is not great Tarantino but it's solidly good Tarantino, and that's sweet news for his fans.

Name : Rafer Guzman / Alias : Newsday
Tarantino is the most fearlessly inventive filmmaker alive - but we knew that. And while Inglourious Basterds is never anything less than ridiculously entertaining, it's nothing Tarantino hasn't done before.

Name : Frank Scheck / Alias : Hollywood Reporter
Art Bastard shines brightest not as a biographical portrait - an aim in which it succeeds only sporadically - but rather as a showcase for the highly imaginative and thoughtful works by the now 76-year-old, too-little-known painter.

Name : Jonathan F. Richards / Alias : Film.com
Its biggest flaw, though, for those who care about such things, may be its moral attitude. That might seem a stodgy thing to bring up in the context of a Quentin Tarantino movie, but it takes such center stage that it needs to be examined.

Name : Laremy Legel / Alias : Film.com
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Name : Stephanie Merry / Alias : Washington Post
Cenedella is rough around the edges, yet he remains fascinating.

Name : Dave Calhoun / Alias : Time Out
'Subtle' is not a word in Tarantino's lexicon. At the film's heart is a fatal attempt to conflate fact with fiction and a celebration of vengeance that's misplaced and embarrassing.

Name : Stephen Whitty / Alias : Newark Star-Ledger
It's these fine sequences that can make you truly regret Tarantino's snarky, in-joke impulses, not to mention his arrogant - perhaps even dangerous - lack of concern with the story's moral dimensions.

Name : Stephen Holden / Alias : New York Times
"It's not what they show, it's what they don't show," the painter Robert Cenedella complains in "Art Bastard," Victor Kanefsky's robust, plain-talking documentary portrait of this lifelong rebel and art-world gadfly.

Name : Richard Roeper / Alias : Richard Roeper.com
One of the best performances of the decade in one of the most entertaining movies of the year.

Name : Michael Phillips / Alias : Chicago Tribune
I don't know if I've ever seen a revenge fantasy so willfully messed up, sometimes offensively so, that still manages to be worthwhile for whole sections of its 2 1/2 hours. The opening is as good a sequence as Tarantino has ever created.

Name : Bill Goodykoontz / Alias : Arizona Republic
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Name : Ann Hornaday / Alias : Washington Post
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Name : Dana Stevens / Alias : Slate
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Name : Rene Rodriguez / Alias : Miami Herald
Inglourious Basterds transcends the war genre to become its own kind of unique picture: A bloody blast of pure movie bliss.

Name : Rick Groen / Alias : Globe and Mail
War reduced to pop entertainment should at least be easy to swallow, but this stuff keeps getting stuck in our craw. The trash that Tarantino used to elevate he now imitates.

Name : Roger Moore / Alias : Orlando Sentinel
Inglourious is slow, dumb - and in a first for QT in his cinema savant career - incompetent.

Name : Peter Howell / Alias : Toronto Star
These Basterds blend into a much richer story, a hugely entertaining one with stars you don't immediately see shining.

Name : Elizabeth Weitzman / Alias : New York Daily News
When a man makes a movie this good, you can forgive him the occasional indulgence.

Name : Sheila O'Malley / Alias : RogerEbert.com
Engaging and thought-provoking .

Name : Christopher Orr / Alias : The New Republic
The true moral universe in which the film unfolds is that of the spaghetti westerns.: a world in which the strong are above the law and the way to tell the good guys from the bad guys is not by their acts but by the kind of hats they wear.

Name : Amy Nicholson / Alias : I.E. Weekly
Basterds isn't a deep film - honestly, what Tarantino flick is? - but it has moments as sharp as a bayonet and as perverse as war itself.

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Name : Joanne Kaufman / Alias : Wall Street Journal
All the trademark Tarantino flourishes are here - the joyous splaying of gore; the self-referential dialogue; the artful artificiality and the juxtaposition of humor and violence - but they don't add up to much.

Name : Steven Rea / Alias : Philadelphia Inquirer
Tonally schizoid and rife with anachronisms (a David Bowie song on the sound track, out-of-era vernacular), Tarantino's Third Reich folly is utterly exasperating.

Name : Eric Kohn / Alias : indieWIRE
Despite the injection of content from a variety of directions, Basterds lacks the crackly excitement of Tarantino's other efforts, mainly because he can't seem to tie the whole package together.

Name : Lisa Schwarzbaum / Alias : Entertainment Weekly
Austrian actor Christoph Waltz   triumphs, heroically, over Tarantino's brash, cine-drunk tall tale.

Name : Manohla Dargis / Alias : New York Times
Simply another testament to his movie love. The problem is that by making the star attraction of his latest film a most delightful Nazi, one whose smooth talk is as lovingly presented as his murderous violence, Mr. Tarantino has polluted that love.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
With its exploded notions of heroism, torture-rack dramatics and kamikaze gusto, it's a fiendishly entertaining flick.

Name : Claudia Puig / Alias : USA Today
The outcome is gory and glorious.

Name : David Edelstein / Alias : New York Magazine/Vulture
The movie is an ungainly pastiche, yet on some wacked-out Jungian level it's all of a piece.

Name : J. Hoberman / Alias : Village Voice
Energetic, inventive, swaggering fun, Quentin Tarantino's Inglourious Basterds is a consummate Hollywood entertainment - rich in fantasy and blithely amoral.

Name : Mick LaSalle / Alias : San Francisco Chronicle
The picture contains all the things his fans like about Tarantino - the wit, the audacity, the sudden violence - but this movie's emotional core and bigness of spirit are new.

Name : Scott Von Doviak / Alias : Fort Worth Star-Telegram/DFW.com
For anyone who has been hoping to see Tarantino back at the top of his game, the must-see movie of the summer has finally arrived.

Name : Ty Burr / Alias : Boston Globe
Inglorious Basterds is an entertainment but an uneasy one; it represents 153 minutes of bravura stalling, after which its creator loses interest and walks away.

Name : Richard Corliss / Alias : TIME Magazine
Many Tarantino movies are female revenge fantasies, in which strong women plot the deaths of men who wronged them. In Shosanna and Bridget, the writer-director has fashioned two of his steeliest, most principled femmes fatales.

Name : Owen Gleiberman / Alias : Variety
The madly teeming pop-cartoon paintings of Robert Cenedella anchor a lively look at a self-styled superstar of outsider art.

Name : Peter Travers / Alias : Rolling Stone
Will Basterds polarize audiences? That's a given. But for anyone professing true movie love, there's no resisting it.

Name : Tom Maurstad / Alias : Dallas Morning News
Scenes like the showdown in the tavern and the movie-premiere finale are as imaginative, energetic and, in their own weird, brutal way, beautiful as cinema gets.

Name : Colin Covert / Alias : Minneapolis Star Tribune
The secret sauce of this delicious romp is the joy of hanging out with a delightfully unruly rebel with a paintbrush.

Name : Bob Mondello / Alias : NPR
'Art Bastard' is a film about a man who has tilted - and continues to tilt - at the art-world equivalent of Don Quixote's windmills.

Name : Rex Reed / Alias : New York Observer
World War II was more serious, complex and horrifying than all this comic embellishment, but if I sound critical, I apologize in advance. I had a helluva time watching Inglourious Basterds.

Name : Lou Lumenick / Alias : New York Post
Quentin Tarantino's extremely witty revenge fantasy Inglourious Basterds may be the most fun you'll have at the movies this summer.

Name : Ben Lyons / Alias : At the Movies
Superbly acted and well constructed, each scene is paced to a chaotic climatic frenzy.

Name : Robert Abele / Alias : Los Angeles Times
Though "Art Bastard" is a zesty, engaging documentary about a veteran outsider, when it comes to his complexities, it's not terribly cohesive.

Name : Nick Schager / Alias : Village Voice
Manages to be as cursory as it is intimate, skimming over so much of Cenedella's life and career that it imparts only a hazy impression of who he is and what he believes.

Name : Colin Covert / Alias : Minneapolis Star Tribune
I'm tempted to say Tarantino has done it again, but I doubt anyone has ever done anything like his dazzlingly original World War II movie, Inglourious Basterds.

Name : Ben Mankiewicz / Alias : At the Movies
This is a seriously provocative film.

Name : James Berardinelli / Alias : ReelViews
With Inglourious Basterds, Quentin Tarantino has made his best movie since Pulp Fiction. He has also made what could arguably be considered the most audacious World War II movie of all-time.

Name : Keith Phipps / Alias : AV Club
There's a feast here, particularly in the amazing opening, an unexpected essay on King Kong, and performances by Pitt, Laurent, and Waltz. It's just been placed on a huge table with no consideration of whether it adds up to a meal.

Name : Christy Lemire / Alias : Associated Press
If only Quentin Tarantino the director weren't so completely in love with Quentin Tarantino the writer, Inglourious Basterds might have been a great movie rather than just a good movie with moments of greatness.

Name : John Hartl / Alias : Seattle Times
Tarantino's wartime fantasies may leave history in the dust, but his movie is a surprisingly satisfying contribution to movies about the Holocaust.

Name : Scott Marks / Alias : San Diego Reader
You may not recognize the name going in, but after spending 82 minutes watching director Victor Kanefsky cast a heartfelt lens in Cenedella's direction, you'll never forget him.

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